Vincent Van Gogh

Honing his skills in Paris, Vincent thought about how he could better work with color. He told Theo:

I want to use colors that compliment each other, that cause each other to shine brilliantly...

Just at that time, artists working in Paris had an opportunity to see art which made use of complimentary colors. Van Gogh greatly enjoyed - and was profoundly influenced by - Japanese woodblock prints. Still developing his own style - he would later say "colours that the Impressionists have brought into fashion are unstable" - Vincent was able to buy many prints for not much money. In an 1888 letter to Theo, he observed:

I envy the Japanese the extreme clarity of everything in their work. It is never dull and it never seems to be done in too much of a hurry. Their work is as simple as breathing, and they do a figure in a few sure strokes as if it were as easy as doing up your waistcoat. Oh, I still have to learn to do a figure in a few strokes. (Vincent to Theo, 24 September 1888

As we look at a sampling of Japanese prints, a few pointers will be helpful. Japanese artists had to be mindful of censors whose approval seals were placed on their work. The artist's signature, the publisher's seal, the title of the work and the series to which it belonged were all noted. This guide from the Brooklyn Museum explains that background.

Van Gogh especially liked prints by Ando Hiroshige. One of this artist's famous series (created between 1831-1834) was entitled Fifty-three Stations of the Tokaido. The Tokaido was the Eastern Sea Road which connected Toyko (then called Edo) with Kyoto (the old capital). The following woodblock prints are from that series:

• Evening Snow at Kanbara



• Lake Ashi at Hakone



• Kyoto

Another popular series, created by Hiroshige, was One Hundred Famous Views of Edo (Tokyo). The woodblocks were made in an interesting manner, requiring the skills of several people. The results were often spectacular:

• Suzaki and the Jumantsubo Plain near Fukagawa

• Intertwined Catalpa Trees at Azuma Grove

Van Gogh actually copied two of Hiroshige's prints (from his One Hundred Famous Views of Edo series) in 1887: Flowering Plum Tree (based on The Plum Orchard at Kameido) and Bridge in the Rain (based on Hiroshige's Evening Shower at Atake and the Great Bridge). Vincent also painted Oiran - also known as The Courtesan - after a work by Keisai-Eisen.

Before he left Paris, for a warmer climate in the south of France, Vincent had created 221 paintings. Taking leave of his brother, he was on the cusp of his most creative years.