From an early age, Beatrix liked to draw. Because of her father’s interest in photography, she met artists like John Everett Millais, whom Rupert photographed (on the left) at the Potter’s rented summer home, Dalguise, in 1879. (John Bright, the famous orator and member of Parliament, is with him.)
Millais - according to Beatrix’s journal - encouraged her, frequently complimenting her "keen observations." (Beatrix Potter Journal, page 460.) How meaningful such comments, from a well-known artist, must have been!
Beatrix said she was also influenced by Randolph Caldecott, whose amazing illustrations were published by Frederick Warne & Company (and whose work is available, on-line, thanks to Project Gutenberg). It is interesting to examine some of Caldecott’s drawings in light of Beatrix’s later books. From A Frog He Would a-Wooing Go:
Although Caldecott also included people in his drawings, Beatrix thought she was never good at that. Her illustrations were based on nature, as Linda Lear discusses in Beatrix Potter, A Life in Nature.
What made Beatrix Potter a painter of nature? How did she approach her subject matter? Was she influenced by any naturalists who encouraged her work?