People love stories about heroes and monsters. Maybe that is why the tale of Beowulf and Grendel has survived for at least a thousand years.
Although the epic itself is shrouded in mystery, let’s examine what we know:
• Sometime in the late-tenth (or early-eleventh) century, two scribes wrote a story about a warrior named Beowulf and a monster named Grendel. They used pen and
vellum to record their work.
• They did not sign
their manuscript, which measures about five-by-eight inches.
• Unlike many contemporary
illuminated manuscripts, this story was not illustrated.
• The scribes
wrote in West Saxon, a dialect oft-used for literary works written in England
at that time.
• They told
the tale as an
unrhymed poem, using a four-beat
alliterative style (be sure to check out these links) which distinguishes
Old-English poetry.
• No one knows what happened to
the manuscript for at least five hundred years after it was written.
• In 1563, when
Elizabeth I was Queen of Britain,
Lawrence Nowell (then Dean of
Litchfield Cathedral) owned the manuscript and wrote his name (and date) on its first page.
• We do not know how the manuscript came into Nowell’s possession. Scholars speculate he may have saved it when
Henry VIII dissolved all of Britain’s monasteries and
broke-apart their libraries.
• Somehow, Beowulf ended up in the famous library of
Sir Robert Cotton (1571-1631) who had privately assembled the most important collection of manuscripts in Britain’s history.
• Cotton’s collection was recognized as a
British national treasure, and it ultimately came under the Crown’s protection.
• While housed at Ashburnham Place, the Beowulf manuscript was nearly lost in a terrible
fire on the 23rd of October, 1731. It was
singed by flames and, since then, has had a tendency to crumble.
• Today it is cared for by
the British Library. It remains the only known manuscript of the Beowulf poem.
English sounds differently today than it did
through the years. Translating Beowulf into
modern English, let’s investigate the story.
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